Fix Generation

2026-09-26 23:28:13 -05:00
parent 3beeb87549
commit a416a80dd9
6 changed files with 36 additions and 19 deletions
@@ -113,7 +113,7 @@ Guitar parts share a theory-based voicing and proximity search over standard tun

 All parts use two music systems per page, with a single system only when the score ends on an odd system. Tall notation is scaled uniformly to fit the two rows; guitar notation and TAB stay together and aligned. TAB displays frets and ties without duplicate rests; standard notation retains the complete rhythm. The generated `.pages/*.png` files are the same page images displayed by the product.

-Electric melody prioritizes four-string chords, then melody on top, then root inclusion. Lower frets and compact shapes are preferred before optional chord tones; rootless voicings remain fallbacks, not equally desirable defaults. Electric accompaniment shares the fullness/root priorities. Acoustic instead favors simple grips, allowing bass plus two upper notes when that is easier than a four-note shape. Defining chord tones remain mandatory. All guitar parts prefer lower positions continuously rather than using a fret threshold; exact melody notes and necessary high positions remain available.
+Electric melody prioritizes four-string chords, then melody on top, then root inclusion. Compact shapes, nearby positions, and fret comfort are preferred before optional chord tones; rootless voicings remain fallbacks, not equally desirable defaults. Electric accompaniment shares the fullness/root priorities. Acoustic instead favors simple grips, allowing bass plus two upper notes when that is easier than a four-note shape. Defining chord tones remain mandatory. All guitar placement uses a fret comfort threshold: frets 0-12 inclusive have no height penalty, and each fret above 12 adds two effort points based on the grip's highest fret. Frets 13-20 remain available; the soft penalty does not override musical priorities or force a less convenient move to a lower position. Exact melody pitches and rhythms remain unchanged.

 Write all music in reading order: repeat bars, numbered endings, navigation jumps, and pass-specific ties are rejected. The seven-section performance arrangements remain fully written out. Chord labels use `M`, `m`, `aug`, `dim`, `sus`, and `mM7`, including explicit major triads such as `CM`. Recognized Soundslice text-only harmonies are normalized into structured chords; parenthesized chords mark optional turnarounds omitted from the final arrangement ending.