Sustained Rhythm
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khodowany
2026-09-30 02:18:31 -05:00
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commit 923b7f14e2
826 changed files with 57641 additions and 35 deletions
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@@ -88,7 +88,7 @@ Artifacts are published to the khodo generic package registry's required `latest
Uncompressed MusicXML 3.1/4.0 scores exported from Soundslice or MuseScore live in `data/`. Generated score JSON is not committed. Uncompressed MusicXML 3.1/4.0 scores exported from Soundslice or MuseScore live in `data/`. Generated score JSON is not committed.
`data/songs` supplies the authored music. `data/rhythms/<meter>/<series>/` supplies the accompaniment rhythm library for 2/4, 3/4, 4/4, and 5/4. Rhythm snippets are build inputs, not separate catalog entries or runtime files. Generation loads the library once and shares it across parts. `data/songs` supplies the authored music. `data/rhythms/<meter>/<series>/` supplies the accompaniment rhythm library for 2/4, 3/4, 4/4, and 5/4. All three series are active: the original quarter/eighth patterns plus series `3` with half, dotted-half, and whole notes/rests. Rhythm snippets are build inputs, not separate catalog entries or runtime files. Generation loads the library once and shares it across parts.
`data/scales` is reserved for unfinished scale sources. These files are not parsed, validated, generated, or packaged, and editing them does not trigger asset regeneration. `data/scales` is reserved for unfinished scale sources. These files are not parsed, validated, generated, or packaged, and editing them does not trigger asset regeneration.
@@ -107,7 +107,7 @@ Identical notation bodies share layout and body rasterization even when titles o
The build-time pipeline is Soundslice/MuseScore -> `.xml` -> musical model and rhythm plans -> part generation -> JSON, engraved PNG pages, generated-tone audio, Pico title artwork, and a read-only catalog database. Sources in `data/songs/` retain the seven-section performance form. Songs generate Acoustic, Electric, and Vocal parts in their authored key, without key variants or a key-selection menu. The build-time pipeline is Soundslice/MuseScore -> `.xml` -> musical model and rhythm plans -> part generation -> JSON, engraved PNG pages, generated-tone audio, Pico title artwork, and a read-only catalog database. Sources in `data/songs/` retain the seven-section performance form. Songs generate Acoustic, Electric, and Vocal parts in their authored key, without key variants or a key-selection menu.
Accompaniment uses deterministic four-bar phrase cycles: a two-bar motif repeats with a one-beat variation in the fourth bar when a suitable candidate exists. Acoustic has independently planned bass and upper-chord rhythms, including simultaneous attacks, sharing one fixed playable grip until the harmony changes. Its bass pitch, upper voicing, and TAB positions stay constant across rests, barlines, repeated chord symbols, and section labels while accompaniment continues. The bass can be the root or the chord's fifth, whichever makes the complete grip easier; explicit slash basses and inversions remain authoritative. The rhythms combine into one notated voice with no ties: each attack releases by the next attack or barline, simultaneous tones share a stem and duration, and rests appear only when the entire part is silent. Held notes are not reattacked. Electric accompaniment targets about two stabs per 4/4 bar, scaled for other meters, favoring gaps around the melody and acoustic rhythms. Each stab lasts at most a quarter note and reuses the corresponding melody passage's chord shape when available. Rhythm snippets supply attacks and rests; tied continuations do not create accompaniment attacks. Structured harmony supplies chord tones. N.C. and absent harmony remain silent. Solo slashes and the seven-section form retain their roles. Unsupported accompaniment meters and mid-measure meter changes fail explicitly. Accompaniment uses deterministic four-bar phrase cycles: a two-bar motif repeats with a one-beat variation in the fourth bar when a suitable candidate exists. Acoustic has independently planned bass and upper-chord rhythms, including simultaneous attacks, sharing one fixed playable grip until the harmony changes. Its bass pitch, upper voicing, and TAB positions stay constant across rests, barlines, repeated chord symbols, and section labels while accompaniment continues. The bass can be the root or the chord's fifth, whichever makes the complete grip easier; explicit slash basses and inversions remain authoritative. The rhythms combine into one notated voice with no ties: each attack releases by the next attack or barline, simultaneous tones share a stem and duration, and rests appear only when the entire part is silent. Held notes are not reattacked. Electric accompaniment targets about two attacks per 4/4 bar, scaled for other meters, favoring gaps around the melody and acoustic rhythms. Its notes retain the selected rhythm's duration without a one-beat cap, stopping at chord changes or barlines and reusing the corresponding melody passage's chord shape when available. Both parts remain tie-free; clipped binary durations that need ties shorten to one conventional note followed by silence. Rhythm snippets supply attacks and rests; tied continuations do not create accompaniment attacks. Structured harmony supplies chord tones. N.C. and absent harmony remain silent. Solo slashes and the seven-section form retain their roles. Unsupported accompaniment meters and mid-measure meter changes fail explicitly.
There are no musical genre presets, genre defaults, or genre metadata. Obsolete `vamp:style` hints are rejected; visual styles, fonts, colors, and barline notation remain supported. Phrase cycles are written into the generated score and played once in reading order. There are no musical genre presets, genre defaults, or genre metadata. Obsolete `vamp:style` hints are rejected; visual styles, fonts, colors, and barline notation remain supported. Phrase cycles are written into the generated score and played once in reading order.
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@@ -56,17 +56,18 @@ The pipeline is Soundslice/MuseScore -> uncompressed `.xml` -> musical model and
### Rhythm Sources ### Rhythm Sources
`data/rhythms/<meter>/<series>/` is an active build input for accompaniment, using meter directories `2-4`, `3-4`, `4-4`, and `5-4`. Each series contains `4^N` four-digit numbered XML files for an N/4 meter: 16 in 2/4, 64 in 3/4, 256 in 4/4, and 1,024 in 5/4, totaling 2,720 files across both series. Numbering starts at `0001.xml` in every directory. Snippets do not create menu entries and their XML is not deployed. `data/rhythms/<meter>/<series>/` is an active build input for accompaniment, using meter directories `2-4`, `3-4`, `4-4`, and `5-4`. Series `1` and `2` each contain `4^N` four-digit numbered XML files for an N/4 meter: 16 in 2/4, 64 in 3/4, 256 in 4/4, and 1,024 in 5/4. Series `3` adds 2, 18, 118, and 680 files respectively, for 3,538 files across all three series. Numbering starts at `0001.xml` in every directory. All three series participate in accompaniment selection. Snippets do not create menu entries and their XML is not deployed.
- Series `1` uses two measures. Read the file number minus one as `2*N` binary digits, most significant first: `0` is a quarter rest and `1` is a C5 quarter note. - Series `1` uses two measures. Read the file number minus one as `2*N` binary digits, most significant first: `0` is a quarter rest and `1` is a C5 quarter note.
- Series `2` uses one measure. Read the file number minus one as `N` base-4 digits, most significant first: `0` is a quarter note, `1` a quarter rest, `2` two eighth notes, and `3` an eighth rest followed by an eighth note. - Series `2` uses one measure. Read the file number minus one as `N` base-4 digits, most significant first: `0` is a quarter note, `1` a quarter rest, `2` two eighth notes, and `3` an eighth rest followed by an eighth note.
- All pitched notes are C5, with a Vocal part, treble clef, C major, and tempo 120. Quarter-only measures use divisions 4; measures containing eighths use divisions 8. Consecutive pitched eighths beam together, interrupted by rests, quarter notes, and barlines. In 4/4, beams also break at the half-bar; the other meters use whole-measure groups. Isolated eighth notes have no beam. - Series `3` uses one measure, extending the series `2` beat patterns with half notes/rests, dotted-half notes/rests, and whole notes/rests. Blocks start on quarter-note beat boundaries and must fill the measure exactly. Each pattern includes at least one long-value block, so existing series `2` patterns are not duplicated. Files follow lexicographic block order: quarter note, quarter rest, two eighth notes, eighth rest plus eighth note, half note, half rest, dotted-half note, dotted-half rest, whole note, whole rest. Whole notes do not fit in 2/4 or 3/4; no events cross barlines.
- All pitched notes are C5, with a Vocal part, treble clef, C major, and tempo 120. Measures without eighths use divisions 4; measures containing eighths use divisions 8. Consecutive pitched eighths beam together, interrupted by rests, longer notes, and barlines. In 4/4, beams also break at the half-bar; the other meters use whole-measure groups. Isolated eighth notes have no beam.
`generator.rhythm.load_library()` parses the library once per asset generation. Immutable snippets retain exact event onsets, durations, written values, rests, beams, and continuations. Their placeholder pitches and tempo do not transpose chords or select playback BPM. A snippet must contain one or two complete sequential bars in one supported meter and voice, without grace notes, tuplets, time modifications, tremolo, or meter changes. `generator.rhythm.load_library()` parses the library once per asset generation. Immutable snippets retain exact event onsets, durations, written values, rests, beams, and continuations. Their placeholder pitches and tempo do not transpose chords or select playback BPM. A snippet must contain one or two complete sequential bars in one supported meter and voice, without grace notes, tuplets, time modifications, tremolo, or meter changes.
`generator.accompaniment` selects a two-bar motif, either a complete two-bar snippet or a pair of one-bar snippets, and realizes a four-bar `A, B, A, B'` cycle. The fourth bar varies one beat when a suitable candidate exists. The cycle repeats through the section, restarting at section or meter boundaries; a final partial cycle uses only the required bars. The immutable plan has separate `acoustic_bass`, `acoustic_upper`, and `electric` lanes. Density targets are one bass attack per two quarter-note beats, one upper-chord attack per beat, and one electric attack per two beats. These are scoring targets, not per-measure limits: electric aims for about two short stabs in 4/4, with metrical scaling and phrase variation. Harmonic coverage and pulse support take priority for acoustic, while electric favors responses around melody and acoustic attacks. Silent electric bars are allowed. Simultaneous bass and upper attacks are allowed, as are collisions with the melody. Source identity breaks ties deterministically; selection does not enumerate every pair of one-bar snippets or introduce randomness. `generator.accompaniment` selects a two-bar motif, either a complete two-bar snippet or a pair of one-bar snippets, and realizes a four-bar `A, B, A, B'` cycle. The fourth bar varies one beat when a suitable candidate exists. The cycle repeats through the section, restarting at section or meter boundaries; a final partial cycle uses only the required bars. The immutable plan has separate `acoustic_bass`, `acoustic_upper`, and `electric` lanes. Density targets are one bass attack per two quarter-note beats, one upper-chord attack per beat, and one electric attack per two beats. These are scoring targets, not per-measure limits: electric aims for about two attacks in 4/4, with metrical scaling and phrase variation. Harmonic coverage and pulse support take priority for acoustic, while electric favors responses around melody and acoustic attacks. Silent electric bars are allowed. Simultaneous bass and upper attacks are allowed, as are collisions with the melody. Source identity breaks ties deterministically; selection does not enumerate every pair of one-bar snippets or introduce randomness. Long values compete normally, without a series preference or duration quota.
Pickups use the corresponding tail of a full-meter rhythm bar. Harmonic state carries across bars until changed or canceled by N.C.; a snippet attack sounds only when a chord is active. A held generated accompaniment chord stops before a different harmony or N.C., leaving silence until the next selected attack. Electric stabs last at most one quarter note and never continue a snippet tie; their remaining duration becomes rests. Melody attacks influence selection but do not directly delete acoustic attacks. Missing rhythm material, unsupported accompaniment meters, and mid-measure meter changes produce errors. The broader import and engraving model still accepts the meters described below. Pickups use the corresponding tail of a full-meter rhythm bar. Harmonic state carries across bars until changed or canceled by N.C.; a snippet attack sounds only when a chord is active. A held generated accompaniment chord stops before a different harmony or N.C., leaving silence until the next selected attack. Electric notes have no fixed duration cap: half, dotted-half, and whole notes sustain until their planned end or a musical boundary. Snippet tie continuations remain silent. Shared duration spelling shortens a clipped binary span requiring ties to one conventional note followed by rests; nonbinary boundaries retain exact rational timing. Melody attacks influence selection but do not directly delete acoustic attacks. Missing rhythm material, unsupported accompaniment meters, and mid-measure meter changes produce errors. The broader import and engraving model still accepts the meters described below.
### MusicXML Contract ### MusicXML Contract
@@ -120,7 +121,7 @@ Measure durations, event onsets/durations, harmony offsets, span times, and pitc
### Shared Part Generation ### Shared Part Generation
`parts.py` owns shared source validation, melody-copying, measure construction, rests, and solo slashes. `rhythm.py` loads snippets; `accompaniment.py` plans phrase cycles and realizes independent bass/upper voices or electric stabs. Before guitar placement, `acoustic.py` shortens generated bass/upper attacks so they cannot overlap and groups them into continuous harmony spans; afterward it combines them into one notated voice. `guitar.py` selects one complete grip per acoustic span using its shared candidate generation and placement search. `melody.py` identifies long tied melody runs and splits them at harmony changes before guitar placement. `arrange/generate.py` supplies the existing seven-section song form. `pitch.py` resolves source instrument transposition and the shared written-octave convention. There is no generic twelve-key transposer. `parts.py` owns shared source validation, melody-copying, measure construction, rests, and solo slashes. `rhythm.py` loads snippets; `accompaniment.py` plans phrase cycles, realizes independent bass/upper voices or electric chord attacks, and owns shared tie-free duration spelling. Before guitar placement, `acoustic.py` shortens generated bass/upper attacks so they cannot overlap and groups them into continuous harmony spans; afterward it combines them into one notated voice. `guitar.py` selects one complete grip per acoustic span using its shared candidate generation and placement search. `melody.py` identifies long tied melody runs and splits them at harmony changes before guitar placement. `arrange/generate.py` supplies the existing seven-section song form. `pitch.py` resolves source instrument transposition and the shared written-octave convention. There is no generic twelve-key transposer.
Generated accompaniment has no ties. Acoustic attacks release at the earliest of their planned end, the next combined bass/upper attack, or the barline. Simultaneous bass/upper attacks use the shorter planned duration for the entire grip. If a binary duration would need ties, it shortens to the longest conventional single note that fits, followed by silence; no extra attack or artificial tuplet is introduced. Rhythm-snippet continuations are silent, and the planner does not count them as acoustic coverage. After placement, consolidation preserves the prepared timing and TAB assignments, combines simultaneous tones under one stem, and writes rests only for complete silence. A silent full bar has one measure rest. Old lane stem directions and beam groups are removed in favor of single-voice engraving. Authored melody ties, solo slashes, and electric melody harmonization remain separate from this build-time accompaniment policy. Generated accompaniment has no ties. Acoustic attacks release at the earliest of their planned end, the next combined bass/upper attack, or the barline. Simultaneous bass/upper attacks use the shorter planned duration for the entire grip. If a binary duration would need ties, it shortens to the longest conventional single note that fits, followed by silence; no extra attack or artificial tuplet is introduced. Rhythm-snippet continuations are silent, and the planner does not count them as acoustic coverage. After placement, consolidation preserves the prepared timing and TAB assignments, combines simultaneous tones under one stem, and writes rests only for complete silence. A silent full bar has one measure rest. Old lane stem directions and beam groups are removed in favor of single-voice engraving. Authored melody ties, solo slashes, and electric melody harmonization remain separate from this build-time accompaniment policy.
@@ -140,7 +141,7 @@ Acoustic spans follow the harmony timeline, including changes during silence. Ba
Electric chord blocks use strings 1-3 or 1-4, including string 1. Rootless voicings containing the fifth and octave doublings are ordinary candidates. An unaltered fifth may be omitted when the root is present, and unaltered intermediate ninth/eleventh extensions may be omitted. Exact melody pitches, including non-chord tones, remain unchanged. Electric chord blocks use strings 1-3 or 1-4, including string 1. Rootless voicings containing the fifth and octave doublings are ordinary candidates. An unaltered fifth may be omitted when the root is present, and unaltered intermediate ninth/eleventh extensions may be omitted. Exact melody pitches, including non-chord tones, remain unchanged.
`melody.py` treats the full tied duration as one note when testing whether it exceeds one quarter-note beat. Qualifying notes receive a chord at their initial attack and at each subsequent changed harmony, even if a resulting fragment is less than one beat. Changed harmonies break ties and reattack the melody; repeated identical harmonies do not. N.C. releases the added voices while preserving the melody's sustain. Added tones through unchanged harmony retain their own ties. The quarter-note cap on electric stabs does not apply to these melody chords. If no valid chord fits, the exact melody remains with a diagnostic; it is not octave-wrapped or omitted. `melody.py` treats the full tied duration as one note when testing whether it exceeds one quarter-note beat. Qualifying notes receive a chord at their initial attack and at each subsequent changed harmony, even if a resulting fragment is less than one beat. Changed harmonies break ties and reattack the melody; repeated identical harmonies do not. N.C. releases the added voices while preserving the melody's sustain. Added tones through unchanged harmony retain their own ties. These melody rules are independent of accompaniment duration spelling. If no valid chord fits, the exact melody remains with a diagnostic; it is not octave-wrapped or omitted.
Placement uses the ordered `VoicingCost` components: electric string shortfall from four, melody covered, number of tones above the melody, combined physical effort, and missing optional pitch classes. These costs accumulate over the whole passage, so physical effort cannot outweigh the earlier electric musical priorities. Melody height compares sounding pitch; unison doubling does not cover it. Electric accompaniment uses the same ranking without the melody-height terms. Acoustic does not receive electric fullness penalties: a simpler three-note grip can beat a more awkward four-note grip. Shape difficulty competes directly with fret height and movement, not as a later tie-breaker. Placement uses the ordered `VoicingCost` components: electric string shortfall from four, melody covered, number of tones above the melody, combined physical effort, and missing optional pitch classes. These costs accumulate over the whole passage, so physical effort cannot outweigh the earlier electric musical priorities. Melody height compares sounding pitch; unison doubling does not cover it. Electric accompaniment uses the same ranking without the melody-height terms. Acoustic does not receive electric fullness penalties: a simpler three-note grip can beat a more awkward four-note grip. Shape difficulty competes directly with fret height and movement, not as a later tie-breaker.
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
<identification>
<encoding>
<supports element="accidental" type="yes" />
<supports element="transpose" type="yes" />
<software>Product Vamp</software>
</encoding>
</identification>
<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
</score-part>
</part-list>
<part id="P1">
<measure number="1">
<attributes>
<divisions>4</divisions>
<key>
<fifths>0</fifths>
<mode>major</mode>
</key>
<time>
<beats>2</beats>
<beat-type>4</beat-type>
</time>
<clef>
<sign>G</sign>
<line>2</line>
</clef>
</attributes>
<sound tempo="120" />
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
<duration>8</duration>
<type>half</type>
</note>
</measure>
</part>
</score-partwise>
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
<identification>
<encoding>
<supports element="accidental" type="yes" />
<supports element="transpose" type="yes" />
<software>Product Vamp</software>
</encoding>
</identification>
<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
</score-part>
</part-list>
<part id="P1">
<measure number="1">
<attributes>
<divisions>4</divisions>
<key>
<fifths>0</fifths>
<mode>major</mode>
</key>
<time>
<beats>2</beats>
<beat-type>4</beat-type>
</time>
<clef>
<sign>G</sign>
<line>2</line>
</clef>
</attributes>
<sound tempo="120" />
<note>
<rest />
<duration>8</duration>
<type>half</type>
</note>
</measure>
</part>
</score-partwise>
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
<identification>
<encoding>
<supports element="accidental" type="yes" />
<supports element="transpose" type="yes" />
<software>Soundslice MusicXML exporter</software>
</encoding>
</identification>
<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
</score-part>
</part-list>
<part id="P1">
<measure number="1">
<attributes>
<divisions>4</divisions>
<key>
<fifths>0</fifths>
<mode>major</mode>
</key>
<time>
<beats>3</beats>
<beat-type>4</beat-type>
</time>
<clef>
<sign>G</sign>
<line>2</line>
</clef>
</attributes>
<sound tempo="120" />
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
<duration>4</duration>
<type>quarter</type>
</note>
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
<duration>8</duration>
<type>half</type>
</note>
</measure>
</part>
</score-partwise>
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
<identification>
<encoding>
<supports element="accidental" type="yes" />
<supports element="transpose" type="yes" />
<software>Soundslice MusicXML exporter</software>
</encoding>
</identification>
<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
</score-part>
</part-list>
<part id="P1">
<measure number="1">
<attributes>
<divisions>4</divisions>
<key>
<fifths>0</fifths>
<mode>major</mode>
</key>
<time>
<beats>3</beats>
<beat-type>4</beat-type>
</time>
<clef>
<sign>G</sign>
<line>2</line>
</clef>
</attributes>
<sound tempo="120" />
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
<duration>4</duration>
<type>quarter</type>
</note>
<note>
<rest />
<duration>8</duration>
<type>half</type>
</note>
</measure>
</part>
</score-partwise>
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@@ -0,0 +1,49 @@
<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
<identification>
<encoding>
<supports element="accidental" type="yes" />
<supports element="transpose" type="yes" />
<software>Soundslice MusicXML exporter</software>
</encoding>
</identification>
<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
</score-part>
</part-list>
<part id="P1">
<measure number="1">
<attributes>
<divisions>4</divisions>
<key>
<fifths>0</fifths>
<mode>major</mode>
</key>
<time>
<beats>3</beats>
<beat-type>4</beat-type>
</time>
<clef>
<sign>G</sign>
<line>2</line>
</clef>
</attributes>
<sound tempo="120" />
<note>
<rest />
<duration>4</duration>
<type>quarter</type>
</note>
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
<duration>8</duration>
<type>half</type>
</note>
</measure>
</part>
</score-partwise>
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
<identification>
<encoding>
<supports element="accidental" type="yes" />
<supports element="transpose" type="yes" />
<software>Soundslice MusicXML exporter</software>
</encoding>
</identification>
<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
</score-part>
</part-list>
<part id="P1">
<measure number="1">
<attributes>
<divisions>4</divisions>
<key>
<fifths>0</fifths>
<mode>major</mode>
</key>
<time>
<beats>3</beats>
<beat-type>4</beat-type>
</time>
<clef>
<sign>G</sign>
<line>2</line>
</clef>
</attributes>
<sound tempo="120" />
<note>
<rest />
<duration>4</duration>
<type>quarter</type>
</note>
<note>
<rest />
<duration>8</duration>
<type>half</type>
</note>
</measure>
</part>
</score-partwise>
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
<identification>
<encoding>
<supports element="accidental" type="yes" />
<supports element="transpose" type="yes" />
<software>Soundslice MusicXML exporter</software>
</encoding>
</identification>
<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
</score-part>
</part-list>
<part id="P1">
<measure number="1">
<attributes>
<divisions>8</divisions>
<key>
<fifths>0</fifths>
<mode>major</mode>
</key>
<time>
<beats>3</beats>
<beat-type>4</beat-type>
</time>
<clef>
<sign>G</sign>
<line>2</line>
</clef>
</attributes>
<sound tempo="120" />
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
<duration>4</duration>
<type>eighth</type>
<beam number="1">begin</beam>
</note>
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
<duration>4</duration>
<type>eighth</type>
<beam number="1">end</beam>
</note>
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
<duration>16</duration>
<type>half</type>
</note>
</measure>
</part>
</score-partwise>
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
<identification>
<encoding>
<supports element="accidental" type="yes" />
<supports element="transpose" type="yes" />
<software>Soundslice MusicXML exporter</software>
</encoding>
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<clef>
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<sound tempo="120" />
<note>
<pitch>
<step>C</step>
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+57
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<score-part id="P1">
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</time>
<clef>
<sign>G</sign>
<line>2</line>
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<sound tempo="120" />
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<rest />
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<type>eighth</type>
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<note>
<pitch>
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</pitch>
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<note>
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+54
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<clef>
<sign>G</sign>
<line>2</line>
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<sound tempo="120" />
<note>
<rest />
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<type>eighth</type>
</note>
<note>
<pitch>
<step>C</step>
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</pitch>
<duration>4</duration>
<type>eighth</type>
</note>
<note>
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+52
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<clef>
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<sound tempo="120" />
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<pitch>
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<note>
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</note>
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+49
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part-list>
<score-part id="P1">
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<clef>
<sign>G</sign>
<line>2</line>
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<sound tempo="120" />
<note>
<pitch>
<step>C</step>
<octave>5</octave>
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+62
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<note>
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<note>
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+57
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<line>2</line>
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<sound tempo="120" />
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<note>
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+49
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<sound tempo="120" />
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+46
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+59
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<clef>
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<sound tempo="120" />
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<note>
<pitch>
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<note>
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+54
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+42
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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+60
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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+57
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+57
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<rest />
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<type>half</type>
</note>
</measure>
</part>
</score-partwise>
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
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</part-list>
<part id="P1">
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<mode>major</mode>
</key>
<time>
<beats>4</beats>
<beat-type>4</beat-type>
</time>
<clef>
<sign>G</sign>
<line>2</line>
</clef>
</attributes>
<sound tempo="120" />
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
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<type>quarter</type>
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<note>
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<type>eighth</type>
<beam number="1">begin</beam>
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<note>
<pitch>
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<note>
<pitch>
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</pitch>
<duration>16</duration>
<type>half</type>
</note>
</measure>
</part>
</score-partwise>
+67
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
</score-part>
</part-list>
<part id="P1">
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<divisions>8</divisions>
<key>
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</key>
<time>
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<beat-type>4</beat-type>
</time>
<clef>
<sign>G</sign>
<line>2</line>
</clef>
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<sound tempo="120" />
<note>
<pitch>
<step>C</step>
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<note>
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<note>
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<note>
<rest />
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<type>half</type>
</note>
</measure>
</part>
</score-partwise>
+65
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
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</part-list>
<part id="P1">
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<time>
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<beat-type>4</beat-type>
</time>
<clef>
<sign>G</sign>
<line>2</line>
</clef>
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<sound tempo="120" />
<note>
<pitch>
<step>C</step>
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<type>quarter</type>
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<note>
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<note>
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<note>
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</note>
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</score-partwise>
+62
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
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</part-list>
<part id="P1">
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<mode>major</mode>
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<clef>
<sign>G</sign>
<line>2</line>
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<sound tempo="120" />
<note>
<pitch>
<step>C</step>
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<note>
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<type>eighth</type>
</note>
<note>
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<rest />
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</note>
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+60
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part-list>
<score-part id="P1">
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<sound tempo="120" />
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<note>
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<note>
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+57
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part-list>
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<clef>
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<sound tempo="120" />
<note>
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<note>
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+70
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<clef>
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<line>2</line>
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<sound tempo="120" />
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<note>
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<note>
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<note>
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+65
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part id="P1">
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<clef>
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<line>2</line>
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<sound tempo="120" />
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<note>
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+57
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<clef>
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<sound tempo="120" />
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+54
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<note>
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+62
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+53
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<note>
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+50
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+57
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<note>
<pitch>
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</pitch>
<duration>8</duration>
<type>half</type>
</note>
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</score-partwise>
+54
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part-list>
<score-part id="P1">
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</time>
<clef>
<sign>G</sign>
<line>2</line>
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<sound tempo="120" />
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<rest />
<duration>4</duration>
<type>quarter</type>
</note>
<note>
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</note>
<note>
<rest />
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<type>half</type>
</note>
</measure>
</part>
</score-partwise>
+54
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
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</time>
<clef>
<sign>G</sign>
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</clef>
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<sound tempo="120" />
<note>
<rest />
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<type>quarter</type>
</note>
<note>
<rest />
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<type>quarter</type>
</note>
<note>
<pitch>
<step>C</step>
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</pitch>
<duration>8</duration>
<type>half</type>
</note>
</measure>
</part>
</score-partwise>
+51
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
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<part id="P1">
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<clef>
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</clef>
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<sound tempo="120" />
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<rest />
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<type>quarter</type>
</note>
<note>
<rest />
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<note>
<rest />
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</note>
</measure>
</part>
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+67
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<part-list>
<score-part id="P1">
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<part id="P1">
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<clef>
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<sound tempo="120" />
<note>
<rest />
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<type>quarter</type>
</note>
<note>
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<type>eighth</type>
<beam number="1">begin</beam>
</note>
<note>
<pitch>
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<note>
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</note>
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</part>
</score-partwise>
+64
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part-list>
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<part id="P1">
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<sound tempo="120" />
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<type>quarter</type>
</note>
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
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<type>eighth</type>
<beam number="1">begin</beam>
</note>
<note>
<pitch>
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<beam number="1">end</beam>
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+62
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<clef>
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<sound tempo="120" />
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<type>quarter</type>
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<note>
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<type>eighth</type>
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<note>
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<note>
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+59
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<sound tempo="120" />
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<note>
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<note>
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+57
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<clef>
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<sound tempo="120" />
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<note>
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<note>
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</note>
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+54
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<clef>
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<line>2</line>
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<sound tempo="120" />
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<rest />
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<type>quarter</type>
</note>
<note>
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<type>quarter</type>
</note>
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+67
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<clef>
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<sound tempo="120" />
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<type>quarter</type>
</note>
<note>
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<type>half</type>
</note>
<note>
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<type>eighth</type>
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<note>
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+62
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<sound tempo="120" />
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<note>
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+54
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<sound tempo="120" />
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+51
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<clef>
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<sound tempo="120" />
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+64
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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+59
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+50
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+47
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+67
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+67
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+64
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+80
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<?xml version='1.0' encoding='UTF-8'?>
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+77
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<?xml version='1.0' encoding='UTF-8'?>
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+75
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<?xml version='1.0' encoding='UTF-8'?>
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+72
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<?xml version='1.0' encoding='UTF-8'?>
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+70
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<?xml version='1.0' encoding='UTF-8'?>
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+67
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<?xml version='1.0' encoding='UTF-8'?>
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+80
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<?xml version='1.0' encoding='UTF-8'?>
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+75
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+67
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+64
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+77
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<note>
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+72
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+63
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+60
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+65
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+62
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+62
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+59
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+76
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+73
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+70
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+67
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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</time>
<clef>
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<sound tempo="120" />
<note>
<rest />
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<note>
<pitch>
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<note>
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<rest />
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<type>half</type>
</note>
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</score-partwise>
+65
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<part-list>
<score-part id="P1">
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<clef>
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<sound tempo="120" />
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<note>
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<note>
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<note>
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+62
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
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<part-list>
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<clef>
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<sound tempo="120" />
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<rest />
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<type>eighth</type>
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<note>
<pitch>
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+75
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<clef>
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<sound tempo="120" />
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<type>eighth</type>
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<note>
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<note>
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<note>
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<note>
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+70
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<clef>
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<sound tempo="120" />
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<type>eighth</type>
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<note>
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+62
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+59
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+72
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+67
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+58
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+55
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+60
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<note>
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+57
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+70
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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+65
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
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<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
<duration>4</duration>
<type>eighth</type>
</note>
</measure>
</part>
</score-partwise>
+57
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
<identification>
<encoding>
<supports element="accidental" type="yes" />
<supports element="transpose" type="yes" />
<software>Soundslice MusicXML exporter</software>
</encoding>
</identification>
<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
</score-part>
</part-list>
<part id="P1">
<measure number="1">
<attributes>
<divisions>4</divisions>
<key>
<fifths>0</fifths>
<mode>major</mode>
</key>
<time>
<beats>4</beats>
<beat-type>4</beat-type>
</time>
<clef>
<sign>G</sign>
<line>2</line>
</clef>
</attributes>
<sound tempo="120" />
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
<duration>8</duration>
<type>half</type>
</note>
<note>
<rest />
<duration>4</duration>
<type>quarter</type>
</note>
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
<duration>4</duration>
<type>quarter</type>
</note>
</measure>
</part>
</score-partwise>
+54
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<?xml version='1.0' encoding='UTF-8'?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.0 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="4.0">
<identification>
<encoding>
<supports element="accidental" type="yes" />
<supports element="transpose" type="yes" />
<software>Soundslice MusicXML exporter</software>
</encoding>
</identification>
<part-list>
<score-part id="P1">
<part-name>Vocal</part-name>
</score-part>
</part-list>
<part id="P1">
<measure number="1">
<attributes>
<divisions>4</divisions>
<key>
<fifths>0</fifths>
<mode>major</mode>
</key>
<time>
<beats>4</beats>
<beat-type>4</beat-type>
</time>
<clef>
<sign>G</sign>
<line>2</line>
</clef>
</attributes>
<sound tempo="120" />
<note>
<pitch>
<step>C</step>
<octave>5</octave>
</pitch>
<duration>8</duration>
<type>half</type>
</note>
<note>
<rest />
<duration>4</duration>
<type>quarter</type>
</note>
<note>
<rest />
<duration>4</duration>
<type>quarter</type>
</note>
</measure>
</part>
</score-partwise>

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