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Chord Families

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khodowany
2026-10-06 03:18:02 -05:00
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@@ -138,7 +138,7 @@ To retrain existing pairs, run `./modulus.py python -m generator.train`; add `--
The build-time pipeline is MusicXML -> source analysis -> independent roles -> assembled parts -> semantic JSON, supplied recordings, engraved PNG pages, Pico title artwork, and a read-only catalog database. Each source produces the six-section performance form as Acoustic, Electric, and Vocal parts in its authored key, without key variants or a key-selection menu. Performance measure numbers run continuously across the complete arrangement, starting at 1 in the lead-in; they do not restart with a new section or chorus. Pickups occupy the preceding measure. Standalone comparison XMLs use local measure numbers and retain the original arrangement numbers in `manifest.solo`.
All generated monophonic guitar material uses frets 1–12 without open strings. Accompaniment uses all legal compact positions; a chord can extend to fret 20 while retaining at least one sounding anchor at fret 12 or below, within three consecutive fret positions (e.g. 7–9, not 7–10). Acoustic bass remains within frets 1–12 and upper chords need their own anchor. Some chord/key combinations have no legal inversion under these combined constraints; generation reports them instead of removing required tones. Electric source-melody harmonization retains its chord-change reattack policy. Import preserves exact source pitches and ties; unplayable or unsupported input fails explicitly rather than being silently octave-folded.
All generated monophonic guitar material uses frets 1–12 without open strings. Chords use two span tiers: **one to three consecutive fret positions share the primary tier; exactly four positions are a fallback** (e.g. 7–9 is primary, 7–10 is fallback). Five or more positions are forbidden. Selection minimizes fallback use before family, melody-string, movement or register preferences. A chord can extend to fret 20 while retaining at least one sounding anchor on frets 1–12 throughout its duration. Acoustic bass remains within frets 1–12 and upper chords need their own anchor when played separately. Some chord/key combinations still have no legal inversion; generation reports them instead of removing required tones. Electric source-melody harmonization retains its chord-change reattack policy. Import preserves exact source pitches and ties; unplayable or unsupported input fails explicitly rather than being silently octave-folded.
There are no genre presets or runtime composition. The complete arranged score is played in reading order. The source-defined form and continuous whole-arrangement measure numbering remain unchanged.