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Cleanup

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khodowany
2026-10-04 17:14:13 -05:00
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docs/composer/data_migration.md
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# Production data and consumer inventory
# Data and cleanup inventory
All additions are independently authored general rules under the repository MIT license. No optional target pitches, rhythm fingerprints, statistics, fitted weights, or derivatives were added. Existing source songs and target files are untouched.
Rules were authored as transposable theory relationships under the repository license. Inspection of the four solos motivated the repair; provenance states that openly. No reference phrases, bar recipes, fingerprints, aggregate distributions or fitted weights were stored.
| Resource | Action / count | Live consumer and reason |
| Resource | Action | Live consumer |
|---|---|---|
| `data/songs/*.xml` | Keep both authoritative sources | Import/immutable analysis; no source archive overwrite |
| `data/scales` | Keep 21 patterns | Seven modes each of major, melodic minor, harmonic minor; ordinary mapped permission |
| `data/sequences` | Keep 2,954 paths (14/196/2,744) | Exact degree-route utility; not uniform lick sampling |
| `data/rhythms` | Keep 3,538 snippets (34 2/4, 146 3/4, 630 4/4, 2,728 5/4) | Meter-indexed retrieval; 5/4 does not compete in 4/4 |
| `composition/rhythms.json` | Extend nine cells with entry/exit/subdivision semantics; keep six comping figures | `vocabulary.rhythm_cells`, `themes.rhythm_windows`, `comping.Canonical` |
| `composition/melodic_vocabulary.json` | Extend eleven cells similarly; retain four chord traversal rules | Complete rhythmic groups plus transposable chord-member paths |
| `composition/grammar.json` | Add reachable operation chooser, answer/extend/fragment contracts, authoritative evaluation configuration | `themes.operation_choices`, `feature`, `scoring.musical`; preserves existing development contracts where applicable |
| `composition/harmony.json` | Keep eleven optional color policies; add bounded prepared step-down suspension policy | Typed full-duration expression validation and candidate construction |
| `composition/lead_ins.json` | Keep seven formulas and two blues rules | Whole approach/target contracts, direct alternatives always available |
| `composition/roles.json` | Replace source octave offsets and fixed register cycles with overlapping soft centers and alternative regions | Both instruments use all six strings, frets 1–12; no equal-use quotas |
| `data/expected/performance_summary.json` | Keep validation-only | Form/layout compatibility check, never winner selection |
| `audition/controls/original_lead_theme.json` | Already migrated outside production; keep optional | No production read; runtime read boundary excludes audition files |
| Saved outputs and references under `build/` | Keep comparison-only | Separate explicitly invoked audition commands |
| `data/songs/*.xml` | Keep both unchanged | Original source analysis |
| `data/scales/` | Keep 21 patterns | Mapper / ordinary permission |
| `data/sequences/` | Keep 2,954 paths | Complete relative routes |
| `data/rhythms/` | Keep 3,538 meter-specific snippets | Rhythm retrieval |
| `composition/rhythms.json` | Keep nine melodic cells/six comping figures | Themes and canonical accompaniment |
| `composition/melodic_vocabulary.json` | Keep eleven cells/four traversals; extend two traversal prefix lengths | Chord-route construction |
| Same | Add two joint gesture rules and internal subdivision policy | `gestures.proposals`, `themes.patterns` |
| `composition/lead_ins.json` | Seven formulas become nine; keep two blues rules | Construction and typed validation |
| `composition/harmony.json` | Keep eleven colors; minor sixth gains bounded stable use | Harmonic validator and construction |
| `composition/grammar.json`, `roles.json` | Keep | Evaluation, development and independent role preferences |
| `data/expected/` | Keep validation-only | Compatibility checks |
| Four supplied `build/*-solo-1/2.xml` | Keep untouched | Explicit optional review |
| `audition/theory_review.py` | Add | Full event/relationship analysis against original source |
| `audition/reference_review.py` | Extend note label evidence | Preserve raw label containers |
| `audition/controls/original_lead_theme.json` | Remove | Superseded unused audition control |
| `audition/production_review.py`, `release_evidence.py` | Remove | Historical multi-experiment exporters |
| `generator/solo/audition.py`, `lead_audition.py` | Remove | Historical unused audition entry points |
| Old generated experiment trees/logs | Remove | 1.82 GiB initially; exact paths/bytes in cleanup manifest |
The JSON version remains 1 with additive named fields; loader rejects missing provenance, duplicate IDs and unsupported subdivision groups. Event/runtime/score schemas did not change. `composer-report-2` and `joint-musical-1` identify diagnostic and evaluation schemas. Semantic generation is `joint-gestures-1`; instrumentation does not intentionally reseed music.
The old “prefix then cheap suffix” constructor and overriding thematic scorer were removed. Legacy nonproduction fixture helpers remain explicit, with no fallback from the current production route. Exhaustive path inventories and other meters are useful and were not deleted for directory size.
Evaluation-only additions: `tests/evaluation_sources/{after-youve-gone,indiana,hindustan}.xml` plus provenance JSON and README; `audition.transfer_review` is their sole consumer. These are four-measure original-song excerpts with declared piano-harmony reductions, not expected generated output or a production phrase bank. They were transcribed from cited original editions after the production vocabulary was authored. Neither ordinary builds nor required regression tests load them. The separate optional command records generation failures without relaxing policy.
Schema 1 gains required gesture fields checked by the loader. Composition version: `joint-arrivals-2`. Runtime score/notation schemas are unchanged. No accompaniment vocabulary or role policy changed. Independent positive/negative tests do not read targets. Optional transfer fixtures remain outside production data.